The pleasure of narrative is linked to desire. Plots tell of desire and what befalls it, but the movement of narrative itself is driven by desire in the form of 'epistemophilia', a desire to know: we want to discover secrets, to know the end, to find the truth. If what drives narrative is the 'masculine' urge to mastery, the desire to unveil the truth ('the naked truth'), then what of the knowledge that narrative offers us to satisfy that wish? Is that knowledge itself an effect of desire?
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This quote was added September 11, 2011.